Jacqueline is the creative head of the group. She oversees the development teams across Brown Bob. She has an instinctive editorial eye that gives all our series a Brown Bob tone across the slate. She previously worked as a journalist in BBC News, and as a BBC Commissioner for factual and factual entertainment.
She has an impeccable brown bob.
Nicki is the business brain of the group. She not only leads on business strategy and expansion she oversees Legal and Business Affairs, Production Management and the Accounts teams. Her responsibilities include negotiating all deals, making major corporate decisions and managing the overall operations and resources for all the companies. She used to have a brown bob but now totally rocks the blonde locks.
Audrey’s been with us since series 1 of Inside the Ambulance and is a machine when it comes to managing big teams and multiple edits. She’s been instrumental in extending our Inside the... brand, also launching Inside the Vets and Inside the Operating Theatre. Her previous range of experience covers everything from Blue Peter to Celebrities in Therapy. We’ve yet to see her fazed by anything, but we’re working on it.
Rob brings a unique combination of editorial expertise and management experience. He oversees the day-to-day administration and operational functions of the business. He’s also series produced many of our flagship series.
Jess brings her experience of high volume, high quality programmes to production manage across our output. Her technical knowledge is absolutely incredible and fundamental to the smooth running of our rig series. Her previous credits include First Dates and Selling Houses. Her eyeliner is legendary.
Rowan’s wealth of experience across high intensity prime-time programming makes him the go-to for all things logistical and technical. His previous credits include 24 Hours in A&E & The Undateables. Rowan is growing his beard in a bid to make his cats view him as their furry father.
Debra brings years of production accounting experience to Brown Bob. She’s worked for Capitol Films, Shed Productions and Warner Bros. Her expertise is to set strong accounts controls and procedures and to ensure every production has full accounting support.
She loves working in the buzzing production environment and can often be found in the thick of development brainstorms. “You have to be dramatic to work in production.”
Kelly has worked in finance in the media industry for many years. She prides herself on getting things done right the first time and getting them done quickly. She’s an introverted extrovert so you’ll sometimes see her in quiet thought, and other times those thoughts are far out there for the office to enjoy.
Roo is more office saviour than office manager and we’ve seriously considered changing her job title. Her no-nonsense, can-do demeanour simultaneously renders her the most-loved and most-feared member of our team. Cross her at your peril.
Azalea has enough enthusiasm for the whole office and works tirelessly to make sure our contributors are well-informed and well-looked after. She’d rather drink tea than coffee, but has absolutely no interest in cocktails.
Gillian is a New Yorker who has been working in the UK TV industry for the past 10yrs. She has developed, casted and produced features, formats and reality TV including Made In Chelsea. The launch of Brown Bob US brings together Gillian’s skill set and contacts in the American market and Brown Bobs unique filming style and experience of high volume programming.
We’re always looking for new people to come and work with us. Please send us your CV to be on our production database.